
Since I finished reading this book I started already with a few changes in my life. Five to be exact:
1.) Diet. I am eating raw food for a whole month. Like, literally nothing cooked. So basically my diet is made up of fruits, vegetables, grains, raw oatmeal, yogurt and dried fruits and nuts. It’s really not that bad
2.) Meditation. That is one of the main changes I have had in relation to my life concerning this book. In the back of my apartment, after the kitchen and laundry room there is a little maid’s room (but since we have no maid it’s become a “study/office” room). The room is quite small and stuffy, without a door and piles of books are strewn in every corner. Nevertheless it has now become my own little “meditation corner” where I have my Bible, glittery pink agenda (which I use exclusively to write my thoughts at the end of every meditation session) and pen inside a shelf which are my daily companions. I can’t say meditation has been something easy for me – if you allow me to be completely honest, it’s actually one of the hardest things for me to do all day. Even though it’s only for half an hour, my mind races, argues, makes lists, wanders, and gives million turns a second. It’s maddening. But I also know that it’s all about letting go and that is something I am still learning how to do, so until then it’s me, my mind and our crazy relationship.
2.) Meditation. That is one of the main changes I have had in relation to my life concerning this book. In the back of my apartment, after the kitchen and laundry room there is a little maid’s room (but since we have no maid it’s become a “study/office” room). The room is quite small and stuffy, without a door and piles of books are strewn in every corner. Nevertheless it has now become my own little “meditation corner” where I have my Bible, glittery pink agenda (which I use exclusively to write my thoughts at the end of every meditation session) and pen inside a shelf which are my daily companions. I can’t say meditation has been something easy for me – if you allow me to be completely honest, it’s actually one of the hardest things for me to do all day. Even though it’s only for half an hour, my mind races, argues, makes lists, wanders, and gives million turns a second. It’s maddening. But I also know that it’s all about letting go and that is something I am still learning how to do, so until then it’s me, my mind and our crazy relationship.

4.) Along with not picking my face I also decided to give it a help on healing and becoming smooth and “scar less” so I am now also doing a mud mask everyday right before I start meditating. Good results already have been visible for all to see.
5.) This one is easy. No, actually it’s more than easy: its peasyyyyyyy!!! I need to do the following things weekly: go to Yoga class, Indian Dance class, read a book and write a blog post. No problem. No problem at all!!!

Here goes the book review:
Early on in "Eat, Pray, Love," her travelogue of spiritual seeking, the novelist and journalist Elizabeth Gilbert gives a characteristically frank rundown of her traveling skills: tall and blond, she doesn't blend well physically in most places; she's lazy about research and prone to digestive woes. "But my one mighty travel talent is that I can make friends with anybody," she writes. "I can make friends with the dead. . . . If there isn't anyone else around to talk to, I could probably make friends with a four-foot-tall pile of Sheetrock."

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Liz with her Brazilian husband, Felipe |
At its best, the book provides an occasion for Gilbert to unleash her fresh, oddball sensibility on an international stage. She describes Messina, Italy, as "a scary and suspicious Sicilian port town that seems to howl from behind barricaded doors, 'It's not my fault that I'm ugly! I've been earthquaked and carpet-bombed and raped by the Mafia, too!' " Later, she sees a Balinese mother "balancing on her head a three-tiered basket filled with fruit and flowers and a roasted duck — a headgear so magnificent and impressive that Carmen Miranda would have bowed down in humility before it." Gilbert also takes pleasure in poking fun at herself. At an Indian ashram, she winningly narrates the play of her thoughts while she tries to meditate: "I was wondering where I should live once this year of traveling has ended. . . . If I lived somewhere cheaper than New York, maybe I could afford an extra bedroom and then I could have a special meditation room! That'd be nice. I could paint it gold. Or maybe a rich blue. No, gold. No, blue. . . . Finally noticing this train of thought, I was aghast. I thought: . . . How about this, you spastic fool — how about you try to meditate right here, right now, right where you actually are?"
"Eat, Pray, Love" is built on the notion of a woman trying to heal herself from a severe emotional and spiritual crisis; Gilbert suggests more than once that she was at risk for suicide. But where she movingly rendered up the tortured inner life of Eustace Conway, the gigantically flawed subject of "The Last American Man," Gilbert has a harder time when it comes to Gilbert. Often she short shrifts her own emotional state for the sake of keeping the reader entertained: "They come upon me all silent and menacing like Pinkerton detectives," she writes of feeling depressed and lonely in Italy, "and they flank me — Depression on my left, Loneliness on my right. They don't need to show me their badges. I know these guys very well. We've been playing a cat-and-mouse game for years now. . . . Then Loneliness starts interrogating me. . . . He asks why I can't get my act together, and why I'm not at home living in a nice house and raising nice children like any respectable woman my age should be."
But wait a second — Gilbert is a New York journalist who has spent the prior several years traveling the world on assignment. In her chosen milieu, it would be unusual if she were married and raising kids in a house at age 34 — by her own account, she left her husband precisely to avoid those things. I'm willing to believe that Gilbert despaired over having failed at a more conventional life even as she sought out its opposite — complications like these are what make us human. But she doesn't tell that story here, or even acknowledge the paradox. As a result, her crisis remains a shadowy thing, a mere platform for the actions she takes to alleviate it.
What comes through much more strongly is her charisma. On a trip to Indonesia well before her year of travel, she visited a Balinese medicine man who read her palm and proclaimed: "You have more good luck than anyone I've ever met. You will live a long time, have many friends, many experiences. . . . You only have one problem in your life. You worry too much." He then invited her to spend several months in Bali as his protégé. At another point, Gilbert petitions God to move her husband to sign their divorce agreement and gets a nearly instant result; later she devotes a love hymn to her nephew, whose sleep problems, she learns the next week, have abruptly ceased. Putting aside questions of credibility, the problem with these testaments to Gilbert's good luck and personal power is that they undercut any sense of urgency about her future. "Eat, Pray, Love" suffers from a case of low stakes; one reads for the small vicissitudes of Gilbert's journey — her struggle to accept the end of her failed rebound relationship; her ultimately successful efforts to meditate; her campaign to help a Balinese woman and her daughter buy a home — never really doubting that things will come right. But even Gilbert's sassy prose is flattened by the task of describing her approach to the divine, and the midsection of the book, at the ashram, drags.
By the time she reaches Indonesia, Gilbert herself admits that the stated purpose of the visit has already been accomplished. "The task in Indonesia was to search for balance," she writes, "but . . . the balance has somehow naturally come into place." There would seem to be only one thing missing — romance — and she soon finds that with a Brazilian man 18 years her senior who calls her "darling" and says things like, "You can decide to feel how you want to, but I love you and I will always love you." Gilbert acknowledges the "almost ludicrously fairy-tale ending to this story," but reminds us, "I was not rescued by a prince; I was the administrator of my own rescue."

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