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quarta-feira, 8 de junho de 2011

Men are From Mars, Women Are From Venus - John Gray


Who should read this book? All men and women should read this book. Be they young or old, married or single, dating or a widower...and the list goes on!
Why? Because it makes you understand a bit better the opposite sex, answers a whole lot of questions you had in your head and an action that before would bring question marks to your head now is something that you can accept because you know the "why" behind what just happened.
What is this book all about? It's all about relating with the opposite sex. It gives you an excellent insight in the relations between the sexes. John Gray's solutions in developing better and happier relationships are witty, well-researched, to the point and simple! 
Where can I apply all the information I've just read in this book? EVERYWHERE! Every day we find ourselves in the midst of people of the opposite sex. Be they our workmates, roommates, classmates, friends, companion, boss, parents, relatives, children...you name it! And we all should learn how to communicate and mesh with those that partake of our company. Even though this book was written specifically for couples, since I've read it I've already made a lot of changes in my communication and speaking skills with my men students and from their reaction I can see they more than appreciate it!
Read the book, follow-up on it and then wait to see the improvement it will have in all areas of your life!

Men Are From Mars, Women Are From Venus, an enormously popular book by author John Gray, contains many suggestions for improving relationships between men and women through understanding the communication style and emotional needs of the opposite sex. As suggested by the title, the book asserts the notion that men and women are as different as beings from other planets, and that learning the code of conduct of the opposite sex is of essential value even if individuals do not necessarily conform to the stereotypical behaviour.
Chapters
Chapter 1: Men Are from Mars, Women Are from Venus
It is important to remember that men and women have reciprocally different natures. Men and women need to appreciate these differences, and cease expecting each other to act and feel the way they do.
Chapter 2: Mr Fix-It and the Home Improvement Committee
Men love to have their abilities recognised and appreciated, and hate to have them scorned or ignored; women love to have their feelings recognised and appreciated, and hate to have them scorned or ignored. Men don't rate feelings highly as in their view they can result in hotly impassioned, wildly unstable behaviour; women don't rate abilities highly as in their view they can result in coldly dispassionate, aggressively competitive behaviour.
Men like to work on their own, and exercise their abilities by solving problems quickly and singlehandedly; women like to co-operate, and exercise their feelings through interactive communication with one another. Men value solutions, and view unsolicited assistance as undermining their effort to solve problems alone; women value assistance, and view unsolicited solutions as undermining their effort to proceed interactively. Men desire that their solutions will be appreciated; women desire that their assistance will be appreciated.
Chapter 3: Men Go to Their Caves and Women Talk
When faced with tough problems, men become non-communicative so they can work out how best to help themselves, while women become communicative so that others can work out how best to help them. Men like to demonstrate their abilities by being allowed to solve problems without interference; women like to demonstrate their feelings by being allowed to relate problems without interference.
When men do communicate, they like to get to the point, and generally only want to listen if they feel the conversation has a point; women enjoy talking for its own sake, and are happy to listen unconditionally.
Chapter 4: How to Motivate the Opposite Sex
A man's instinct is to look after himself, even if it means sacrificing others; a woman's instinct is to look after others, even if it means sacrificing herself. In a relationship, a man has to learn how to care for his partner rather than sacrificing her needs in favour of his own, and a woman has to learn how to be cared for by her partner rather than sacrificing her own needs in favour of his, so that the needs of both are met. If they do this successfully, both win, unlike their instinctive behaviours where one person gains from another’s loss. This has to be worked at, because if either partner feels their efforts towards the relationship are not being successful in pleasing their partner, they may feel hurt and decide to revert to their instinctive behaviour. Unfortunately this then causes the other partner to do the same, and the relationship unravels inexorably.
In a relationship, a man needs to feel that his attentions are needed, and a woman needs to feel that her needs are attended. To achieve this, a man has to express his desire to fulfil her needs and her worthiness to receive his care, and a woman has to express her desire for his care and his worthiness to fulfil her needs. Both must remember to appreciate, accept, and forgive the other, and avoid blaming them when they fail.
Chapter 5: Speaking Different Languages
Men talk in very literal terms for the purpose of relaying information; women employ artistic licence and dramatic vocabulary to fully express and relate their feelings.
Men like to sort their thoughts out before communicating them, and have the tendency to become distant and non-communicative as they ponder their concerns. At this time, a woman needs reassurance that her partner still rates her as worthy of being taken care of. Women like to sort their thoughts out in the process of communicating them, and have the tendency to pour forth a litany of general grievances as they relate their concerns. At this time, a man needs reassurance that his partner still rates him as worthy of taking care of things. Both must try to avoid feeling personally to blame when their partners are dealing with problems.
When a man is troubled, he does not want his partner to express concern for him, but loves to be told that the problem is easily within his abilities to rectify because of the implicit vote of confidence in his abilities. When a woman is troubled, she loves her partner to express concern for her, but does not want to be told that the problem is a simple one to solve because of the implicit dismissal of her concerns about the issue. A solution should be sought once her feelings have been fully listened to: too quick a solution justifies his abilities but devalues her concerns, too enduring a problem justifies her concerns but devalues his abilities.
Men feel validated and gratified when they are left to sort things out by themselves, and feel undermined by being offered sympathy or unsolicited assistance. Women feel validated and gratified by being offered sympathy or unsolicited assistance, and feel undermined when they are left to sort things out by themselves.
To accommodate their partners' responses, each should make small changes to their behaviours and communication towards the other, but without compromising their own true natures.
Chapter 6: Men Are Like Rubber Bands
Men periodically bolt for cover when they suddenly fear that their self-sufficiency is becoming threatened. At these times they may become utterly unapproachable, demanding the right to be left on their own and to be allowed not to express their feelings, but if given support by being afforded space for a little while, they will soon feel better and spring back into their usual loving selves once again. It can be hard for women to handle the suddenness and speed with which men bolt for cover, and then subsequently spring back.
At times when men retreat into themselves, they can assist their partners not to be overly concerned or take it personally by providing some brief reassurance that they will return in due course. Women should resist the temptation to try to drag their partners back prematurely or criticise them over this natural behaviour.
Chapter 7: Women Are Like Waves
Women periodically sink into a depression when they feel it is time for emotional cleansing and resolution. At these times they may become utterly negative in their outlook, dwelling on every problem which troubles them, including long-standing ones which will generally have been raised and addressed before, and if they cannot find any real issues to concentrate on, then they will find some random other things to worry about.
They suspend their normal giving natures, demanding the right to express their feelings and not to be left on their own, and if supported and allowed enough time to express and release their negative feelings, they will begin to feel happier again and return to their usual loving selves. The slowness in which they sink into depression and subsequently recover may be hard for men to handle.
At times when women sink into themselves, they can assist their partners not to be overly concerned or take it personally by providing some brief reassurance that it is not their partners’ fault. Men should resist the temptation to try to lift their partners back up prematurely or criticise them over this natural behaviour.
Men demand the right to be free from time to time; women demand the right to be heard from time to time. When a man feels free he finds it easier to support a woman’s need to be heard; when a woman feels heard she finds it easier to support a man’s need to be free.
If a man’s periodic need to be free coincides with a woman’s periodic need to be heard, the best solution is for the woman to make do with being heard by her friends instead.
Chapter 8: Discovering Our Different Emotional Needs
Men and women need to remember that the emotional needs of the opposite sex are not the same as their own. Providing our partners with the wrong type of emotional needs will not be greatly appreciated.
Deep inside every man is a knight in shining armour seeking a damsel in distress who will love him, and shower him with trust, acceptance, appreciation, admiration, approval, and encouragement. Deep inside every woman is a damsel in distress seeking a knight in shining armour who will love her, and shower her with caring, understanding, respect, devotion, validation, and reassurance. Men must listen attentively to women to understand their needs, avoiding getting angry or defensive; women must have faith in men's abilities and best efforts to fulfill their needs, avoiding trying to change or control them.
Chapter 9: How To Avoid Arguments
Communication between relationship partners should be loving and respectful; verbal attacks by contrast are highly destructive. It is often not so much what is said that causes the damage, but the tone of voice and body language which accompanies it.
Arguments thrive on men failing to pay sufficient attention to women’s feelings, and women being critically disapproving of men. Either one may be the initial trigger, because a man’s inattentiveness can cause a woman to get upset and express disapproval, and a woman’s disapproval can cause a man to get defensive and stop listening to how she is feeling.
When men make mistakes they become frustrated and angry, and are best left alone until they calm down. Men consider apologies to be admissions of guilt; women view apologies as expressions of compassion. This difference of perception is why men are generally much less willing to apologise than women.
When engaged in an argument, men use strong and aggressive words to ensure that they win the argument, and women are frequently forced to back down in the face of a totally determined and implacable opponent. Men then feel that they have won the argument, but it is a hollow victory as their partners have not changed their views, but merely buried them in order to avoid an ever-escalating conflict. Sometimes people prefer to evade arguments instead of engaging in them. Men tend to do so by withdrawing inside themselves and refusing to talk; women often just pretend that the disagreement has been forgotten. The resultant peace is a cold one, because the issues continue festering unresolved.
To stop communication degenerating into arguments, men should strive to listen without getting defensive, and women should try to express their feelings without criticising their partners.
Chapter 10: Scoring Points with the Opposite Sex
Men feel loved if their efforts at giving are appreciated; women feel loved according to what they receive. For women, loving someone means knowing and attending to their needs without waiting to be asked, and so a loved person should never have to ask for anything as their needs ought to be anticipated ahead of time. So women give unconditionally, and proactively seek ways to help others, whereas men only give when they feel that their efforts will be fairly appreciated and rewarded, and often will not know how or what to give without being specifically asked. Men often quickly suspend giving when feeling pleased about having done something; women may only suspend giving when feeling displeased with their partners for doing nothing.
Men value results; for women it’s the thought that counts. Consequently, men value big things much more than do women, who feel more appreciated by receiving lots of little gifts instead. A woman may consider a bunch of flowers to be just as good a proof of love as an entire month of hard work towards paying the bills.
If men and women do not take account of these different perspectives, they may fail to give their partners what they actually want. When this occurs, the man will frequently suspend giving as he feels he is not receiving enough reward back for what he has given, but the woman will continue to give unconditionally even though she feels she is giving more and has started to feel unloved, unappreciated and resentful.
Men should try to identify various little ways to give to their partners without waiting to be asked first, and should avoid the mistake of assuming their partners to be happy giving and not asking for anything back. Women should be careful not to give a false impression to their partners of being happy when they are not, and if they begin to feel resentful they should gently reduce their giving, learn to ask for things back, and be sure to keep expressing lots of appreciation of their partners’ efforts so as to encourage them to give more. Men should try to listen lovingly and respectfully to women’s feelings, women should try to express their feelings in a loving and respectful manner. If men give, and women appreciate, both end up feeling happy.
Chapter 11: How to Communicate Difficult Feelings
Unresolved negative feelings can cause us to act in ways we really don’t want to, or become manifest in all kinds of compulsive or addictive behaviours. Avoiding our negative feelings doesn’t make them go away, but compassionately embracing them can heal them and enable us to start loving again. By acting as loving parents to our own inner child, we finally allow our repressed feelings to be fully expressed and released.
To ease the pain and win love, men often obsessively seek success, and women obsessively seek perfection. Men may use anger, ego, or oblivion (such as burying themselves in their work) to avoid vulnerable feelings of pain or fear; women may lapse into depression or confusion to avoid having aggressive feelings of anger.
Constructive communication is a learned skill, and many of us must first unlearn the paradigm of negative communication and repression of feelings which we experienced during childhood. Communication works best if it presents the full picture, so that the root of the problem is revealed rather than just the symptoms.
Writing our feelings down is excellent for expressing our negative emotions (anger, pain, fear, and regret) in a controlled manner, rather than letting them explode at our partners in the heat of the moment. Having done so, we can get back in touch with our loving feelings, and are then in a much better state to explain to our partners what we are feeling, and what they can do to help us feel better. It is important to communicate such feelings in a loving atmosphere because we may need to feel securely loved while communicating such intimate and revealing feelings, and our partners may need the same if some of those feelings will be painful to hear, or could be taken personally. At times it is worth discussing them with friends or counselors first.
Chapter 12: How to Ask for Support and Get It
Men love to do things which are appreciated, and hate to do things which are demanded. Criticising him or giving excessive instructions will make him feel more like a slave than a loved and trusted partner.
Men love to prove their worth through the things they do, but they generally wait to be asked, and take a long time to learn to offer their services unsolicited. Women should therefore control their expectations of men being able to anticipate their needs, ask for help without making it sound like a demand because they resent the need to do so, and appreciate the help they receive even though it needed to be requested first.
Women should avoid requesting help from a man in a way which either doesn’t sound like a clear request, or carries implicit criticism that he should have already done it. Questions which begin with the words ‘Could you’ or ‘Can you’ are often interpreted by men as questioning their abilities, and they therefore respond more positively to the same questions if they begin instead with ‘Would you’ or ‘Will you’. The difference may seem tiny, but it can feel as different as the man saying ‘No I can’t’ or ‘No I won’t’ in response to the request.
It is best to allow a man the freedom to do things in a way and at a time that works for him. If a man is busy doing something and a woman needs his help on something else, she should feel free to ask him for help, but be prepared for him to request to defer it or even to refuse it; if requests always require positive answers, they are really demands, and men will sense the difference. If a man grumbles about a request then he is actually considering it, and the best approach is to simply wait for him to come to a decision without saying anything further, and aim to accept the outcome graciously.
Chapter 13: Keeping the Magic of Love Alive
In relationships, unresolved negative feelings can pop up without warning, and we suddenly become upset, or sensitive, or distant. When this happens to our partners we should encourage them to work through it, accepting that it may take some time and that they may need support from outside as well as from ourselves, and do our best to control any impatience or resentments we may feel towards them during these times.
Love inevitably changes over time: the pristine bliss we feel when we first fall in love doesn’t last forever, and over time our personal faults and negative baggage inevitably become exposed. But if we stick tight through the ups and downs of life and each other, then our initial bliss gradually changes into a mature form of love which can become stronger and fuller with every passing year.

domingo, 5 de junho de 2011

Who Moved My Cheese?


"Who Moved My Cheese?" is a story all about change and what it can do for us.

The cheese = what we want in life: money, power, a family, health, success, spiritual peace, relationship, hobby, etc.
The maze = the place where you spend time going after what you want - the "cheese".

It's a metaphorical story which opens our eyes to the many important principles concerning personal change. As I read this short story I pictured the "cheese" as being my work and job as an English teacher since that is pretty much my main focus in this phase of my life - though of course I am aware that not everybody's "cheese" is their job and work.
The first thing which caught my attention in this book was the realization that what we truly consider important in our lives is what we most hold on to and yet at the same time take for granted. This might sound like a contradiction but it's not. Take your family for instance: We all want a good relationship with them and so we create strong ties towards them still all the while taking them completely for granted.
We also tend to tie ourselves down to what is the safe and secure thing to do. We don't want to risk getting out of our comfort zone and so we build barriers thinking that that will protect us and maintain things as they always were. By doing this we go on to blurring our vision of what is actually taking place all around us to the point that we end up completely blinding ourselves to the outside world - what isn't in our "safe zone" parameters. But one bright sunny day, change walks up to our door - and who says it'll knock and ask politely if it may enter?!
Nope! The truth being that we have been getting constant warnings and signs but how could we have seen that if we've this whole time been blinding our vision? That’s just not a possibility anymore!
"What would you do if you weren't afraid?" This little eight word question slapped me straight in the face when I read it! That's the question we should ask ourselves when we've awakened to find ourselves wanting to kick off self-indulgence and the standpoint that we see ourselves in. This question makes you think and search deep inside so that you can find the answers to muster up the courage to launch out forward and into the unknown.
A quote that has stayed with me since my childhood reads the following: "There is no standing still. You are either going forward or backwards. There is no in between."
The reason for this is that the world doesn't stop for you. People won't stop for you. Nothing stops for you! Life is all about change and transformation. The fact that things always are changing is the only one thing we can be certain will never change - it's an old vicious cycle. Yes, the one thing we can always be sure to have in life is change!
How to deal with this constant change in our lives? Here are some thoughts which I extracted from this book to help me desire change and deal with it a little better:

  • The sooner we leave our comfort zone the quicker we adapt to change.
  • We need to take control instead of simply letting things just happen.
  • Change won't take us by surprise if we are watching, waiting and anticipating it. Change can only surprise us if we don't expect it and aren't looking for it.
  • Sometimes fear can be good. When you are afraid of things are going to get worse if you don't do something it can prompt you into action. It's not good when it keeps you from doing something, when it paralyzes you.
  • Moving along makes you feel great! We have to let go of the past to adapt to the present.
  • You start to change as soon as you learn to laugh at yourself and at what you are doing wrong. Reflect on the mistakes you have made in the past and use them to plan for the future.
  • Envision yourself in realistic detail finding something better - something much better - and that will make a whole big of a difference. 
  • Many times we are held captive by our fear as we think that a change will only lead to something worse. But the truth is that what we are afraid of is never as bad as what we imagine it to be. The fear that we let build up in our minds is worse than the situation that actually exists.
  • New beliefs encourage new behaviors. When you change what you believe you change what you do.
  • Sometimes we need to let go of people that are holding us back. No matter how hard that may seem in the beginning if we do so we might even have a chance to help them later on once we've helped ourselves.
  • It's safer to be aware of our real choices than to isolate ourselves in our comfort zone.
  • The biggest inhibitor to change lies within us. 
  • Enjoy Change!!!
Wikipedia on "Who Moved My Cheese?”

Who Moved My Cheese? An Amazing Way to Deal with Change in Your Work and in Your Life, published in 1998, is a motivational book by Spencer Johnson written in the style of a parable or business fable. It describes change in one's work and life, and four typical reactions to said change by two mice and two "littlepeople", during their hunt for cheese. A New York Times business bestseller since release, Who Moved My Cheese? remained on the list for almost five years and spent over 200 weeks on Publishers Weekly's hardcover nonfiction list.[1]
Synopsis
Allegorically, Who Moved My Cheese? features four characters: two mice, "Sniff" and "Scurry," and two littlepeople, miniature humans in essence, "Hem" and "Haw." They live in a maze, a representation of one's environment, and look for cheese, representative of happiness and success. Initially without cheese, each group, the mice and humans, paired off and traveled the lengthy corridors searching for cheese. One day both groups happen upon a cheese-filled corridor at "Cheese Station C". Content with their find, the humans establish routines around their daily intake of cheese, slowly becoming arrogant in the process.
One day Sniff and Scurry arrive at Cheese Station C to find no cheese left, but they are not surprised. Noticing the cheese supply dwindling, they have mentally prepared beforehand for the arduous but inevitable task of finding more cheese. Leaving Cheese Station C behind, they begin their hunt for new cheese together. Later that day, Hem and Haw arrive at Cheese Station C only to find the same thing, no cheese. Angered and annoyed, Hem demands, "Who moved my cheese?" The humans have counted on the cheese supply to be constant, and so are unprepared for this eventuality. After deciding that the cheese is indeed gone they get angry at the unfairness of the situation and both go home starved. Returning the next day, Hem and Haw find the same cheeseless place. Starting to realize the situation at hand, Haw thinks of a search for new cheese. But Hem is dead set in his victimized mindset and nixes the proposal.
Meanwhile, Sniff and Scurry have found "Cheese Station N", new cheese. Back at Cheese Station C, Hem and Haw are affected by their lack of cheese and blame each other for their problem. Hoping to change, Haw again proposes a search for new cheese. However, Hem is comforted by his old routine and is frightened about the unknown. He knocks the idea again. After a while of being in denial, the humans remain without cheese. One day, having discovered his debilitating fears, Haw begins to chuckle at the situation and stops taking himself so seriously. Realizing he should simply move on, Haw enters the maze, but not before chiseling "If You Do Not Change, You Can Become Extinct" on the wall of Cheese Station C for his friend to ponder.
Still fearful of his trek, Haw jots "What Would You Do If You Weren't Afraid?" on the wall and, after thinking about that, he begins his venture. Still plagued with worry (perhaps he has waited too long to begin his search...), Haw finds some bits of cheese that nourishes him and he is able to continue his search. Haw realizes that the cheese has not suddenly vanished, but has dwindled from continual eating. After a stop at an empty cheese station, Haw begins worrying about the unknown again. Brushing aside his fears, Haw's new mindset allows him to again enjoy life. He has even begun to smile again! He is realizing that "When you move beyond your fear, you feel free." After another empty cheese station, Haw decides to go back for Hem with the few bits of new cheese he has managed to find.
Uncompromising, Hem refuses the new cheese, to his friend's disappointment. With knowledge learned along the way, Haw heads back into the maze. Getting deeper into the maze, inspired by bits of new cheese here and there, Haw leaves a trail of writings on the wall ("The Handwriting On the Wall"). These clarify his own thinking and give him hope that his friend will find aid in them during his search for new cheese. Still traveling, Haw one day comes across Cheese Station N, abundant with cheese, including some varieties that are strange to him, and he realizes he has found what he is looking for. After eating, Haw reflects on his experience. He ponders a return to see his old friend. But Haw decides to let Hem find his own way. Finding the largest wall in Cheese Station N, he writes:
Change Happens
They Keep Moving The Cheese
Anticipate Change
Get Ready For The Cheese To Move
Monitor Change
Smell The Cheese Often So You Know When It Is Getting Old
Adapt To Change Quickly
The Quicker You Let Go Of Old Cheese, The Sooner You Can Enjoy New Cheese
Change
Move With The Cheese



Enjoy Change!
Savor The Adventure And Enjoy The Taste Of New Cheese!
Be Ready To Change Quickly And Enjoy It Again
They Keep Moving The Cheese.
Cautious from past experience, Haw now inspects Cheese Station N daily and explores different parts of the maze regularly to prevent any complacency from setting in. After hearing movement in the maze one day, Haw realizes someone is approaching the station. Unsure, Haw hopes that it is his friend Hem who has found the way.




quarta-feira, 25 de maio de 2011

Vozes do Retrato - Dalton Trevisan

A gathering of 15 chronicles and short stories which picture the day to day life habits of boring, broke and bitter Brazilians. Really not my type of book. Thank goodness the book was real thin as I couldn't make myself enjoy reading it as much as I did try to - I am surprised I even made it until the end... honestly, just another book in my list. If you don't want to be bored to death I highly suggest you in not even picking up this book.  

Since the book was not worth reading, I won't be posting a book review on it but instead will add below a bit on the writer, Dalton Trevisan:

Biografia

É reconhecido como um importante contista da literatura brasileira por grande parte dos críticos do país. Entretanto, é avesso a entrevistas e exposições em órgãos de comunicação social, criando uma atmosfera de mistério em torno de seu nome. Por esse motivo recebeu a alcunha de "Vampiro de Curitiba", nome de um de seus livros. Assina apenas "D. Trevis" e não recebe a visita de estranhos.
Trevisan Trabalhou durante sua juventude na fábrica de vidros de sua família (hoje falida) e chegou a exercer a advocacia durante 7 anos, depois de se formar pela Faculdade de Direito do Paraná (atual UFPR). Quando era estudante de Direito, Trevisan costumava lançar seus contos em modestos folhetos. Liderou o grupo literário que publicou, entre 1946 e 1948, a revista Joaquim. O nome, segundo ele, era "uma homenagem a todos os Joaquins do Brasil". A publicação tornou-se porta-voz de uma geração de escritores, críticos e poetas. Reunia ensaios assinados por Antonio Cândido, Mario de Andrade e Otto Maria Carpeaux e poemas até então inéditos, como "O Caso do Vestido", de Carlos Drummond de Andrade. A revista também trazia traduções de Joyce, Proust, Kafka, Sartre e Gide e era ilustrada por artistas como Poty, Di Cavalcanti e Heitor dos Prazeres. A publicação, que circulou até dezembro de 1948, continha o material de seus primeiros livros de ficção, incluindo Sonata ao Luar (1945) e Sete Anos de Pastor (1948) - duas obras renegadas pelo autor. Em 1954 publicou o Guia Histórico de Curitiba, Crônicas da Província de Curitiba, O Dia de Marcos e Os Domingos ouAo Armazém do Lucas, edições populares à maneira dos folhetos de feira.
Inspirado nos habitantes da cidade, criou personagens e situações de significado universal, em que as tramas psicológicas e os costumes são recriados por meio de uma linguagem concisa e popular, que valoriza os incidentes do cotidiano sofrido e angustiante. Publicou também Novelas Nada Exemplares (1959) e ganhou o Prêmio Jabuti da Câmara Brasileira do Livro. Como era de se esperar, enviou um representante para recebê-lo. Morte na Praça (1964), Cemitério de Elefantes (1964) e O Vampiro de Curitiba (1965). Isolado dos meios intelectuais e concorrendo sob pseudônimo, Trevisan conquistou o primeiro lugar do I Concurso Nacional de Contos do Estado do Paraná, em 1968. Escreveu depois A Guerra Conjugal (1969), posteriormente transformada em um premiado filme, dirigido por Joaquim Pedro de Andrade, Crimes da Paixão (1978) e Lincha Tarado (1980). Em 1994 publicou Ah, é?, obra-prima do estilo minimalista. Seu único romance publicado é A Polaquinha.

sábado, 21 de maio de 2011

Perfume


Much to my surprise I finished this book in an incredibly quick space of time - the reason of this surprise is because the book has a whole lot of narration and very few dialogues - something that I usually cringe at when reading a book. But this time it was different. I didn't even notice the lack of dialogues and conversations and read long paragraph after long paragraph uninterruptedly. 

 I would describe Grenouille as an exotic monster. The fact that he is born an orphan and his whole childhood and teenage years are hard and cruel on him made me pity the character that I would later find out is nothing but a horrid man with an exceptional acute sense of smell. Throughout the whole book he seeks his "meaning in life" until he finally discovers what it is: create the most sought after scent of all - the scent of love. He reaches his goal but doesn't get what he always wanted: the desire to be loved himself.

Yes, this book is highly disturbing - but that's what makes it such a splendid read. 
The message is ingenious and beautiful at the same time: What every single man and woman wants is to love and be loved back. And that's what Grenouille tries so hard to do throughout the whole story (using the most despicable and gruesome methods) - he tries to make others love him. But we can't make others love us if we don't love ourselves. That is the principle of attraction. People that are highly attractive and that have the ability to draw others to themselves are people that like their own company, know their high points and see their own potential. And yet Grenouille fails to see turning his whole arduous search and horrendous crime into nothing but deception until the end of his sad, sad life.


It's a magnificent read and a mind opening allegory! Read it!

WIKIPEDIA ON "PERFUME":
Perfume: The Story of a Murderer is a 1985 literary historical cross-genre novel (originally published in German as Das Parfum) by German writer Patrick Süskind. The novel explores the sense of smell, and its relationship with the emotional meaning that scents may carry. Above all this is a story of identity, communication and the morality of the human spirit.
The story focuses on Jean-Baptiste Grenouille, a perfume apprentice in 18th century France who, born with no body scent himself, begins to stalk and murder virgins in search of the "perfect scent", which he finds in a young woman named Laure whom his acute sense of smell finds in a secluded private garden in Grasse.


Plot

Grenouille (French for "frog") is an unwanted Parisian orphan who, having no personal scent (learned later in the narrative), is rejected by others because they are unwittingly disturbed by him, later understood to the reader as stemming from his lack of odour. He has an extraordinary power to discern odours, and comes to loathe the scent of other people. He becomes apprenticed to a tanner at the age of eight, and after work explores the city. One day he smells a divine scent and follows it, and is shocked to find that the source of this beautiful scent is a young virginal girl just passing puberty (14-15 years old). He gets closer to her, unnoticed, to get a better smell of her scent. When leaning in and becoming more intoxicated by the divinity of her scent she notices him and begins to scream, so he holds her mouth shut, accidentally suffocating her while continuing to be enamoured of her scent. But he learns that soon after death the scent dissipates and is lost. He vows to himself that this is his life's purpose, to regain that scent.
In his quest to isolate and preserve scents, he becomes apprenticed to a once great perfumier, Baldini, and proves himself a talented pupil. His supernatural power to discern and dissect scents helps create wondrous perfumes and makes Baldini the most popular perfumier in Paris. But Grenouille's abilities are unmatched by the technology and Baldini has to step in and stop him when Grenouille learns that he cannot isolate the scent of inorganic materials, such as glass and iron. At this enlightenment Grenouille falls ill with smallpox, presumably psychosomatically as a reaction to his body giving up on life as his quest can never be fulfilled. Yet Baldini has grown to cherish Grenouille for his skills and while on his deathbed Baldini reveals to him that there are techniques other than distillation that can be used to preserve such odors. At this news, Grenouille miraculously recovers and resolves to journey to the city of Grasse, the home of the greatest Perfumiers, to further his quest.
On his way to Grasse, Grenouille travels the countryside and reflects on his disgust with the scent of humanity. As he travels between cities and escapes the "sour cheese" stench of humanity, he dreams of escaping scent altogether, reveling in the idea that after having experienced the most divine scent imaginable (the plum slicing girl) that he could escape the influence of the world and find the deepest, darkest hole to literally crawl into and merely reflect on his memories of his most beloved scent experiences. He quickly turns off the beaten path and spends seven years in a cave on top of the Massif Central. It is more like a slanted well than a large cavern, and he crawls deep into it until the light has stopped and he cannot go another further. There he wedges himself against the stone and falls into a sort of meditation, spending all his waking hours imaging himself in a vast and grand library inside his mind, served by scentless spectres who bring him "vials" of his favorite scents. And every day before he falls asleep he is brought the scent memory vial of the plum slicing girl, and falls drunk with its splendor before sleeping. He leaves the cave only to eat enough insects and scraps to survive, addicted to lounging in the scent library of his mind. One day he wakes with a start from a nightmare of being suffocated by his own body odor and to shake off the confusion he, for the first time, examines his own scent. Going layer by layer from his surroundings and through his (now tattered) clothes and down to the grime and dirt he is covered in, he soon realizes with a shock that he has no personal scent at all. He takes on an existential fear, for the first time, that without a scent he has no place in existence, in the universe, that he is not truly a part of reality and that without a scent he is literally nothing. And so he once again resolves to capture the scent of the plum slicing girl, but has no put it to himself to create the world's most divine scent to have for himself, to show the universe that he exists and that his talents do not resolve him to be nothing.
Grenouille journeys to Montpellier where an amateur scientist, the Marquis de La Taillade-Espinasse, uses Grenouille to test his thesis of the "so-called fluidum letale". The Marquis combines a treatment of decontamination and revitalization for Grenouille, and subsequently, Grenouille looks like a clean gentleman for the first time in his life. Grenouille in turn tricks his way into the laboratory of a famous perfumier. There he creates a body odour for himself from ingredients including "cat shit," "cheese," and "vinegar", whereupon he is finally noticed by society. Previously not even an eyelash would bat if Grenouille had walked right in front of someone's face, but his new "disguise" can make heads turn and he feels accepted by society, but it is only a test of his abilities and he has grander plans yet.
Finally moving to Grasse, Grenouille once again becomes intoxicated by the scent of a young girl transitioning through puberty to womanhood, Laure. He believes her scent to be on par, if not greater, than that of the plum slicing girl, but also believes that she is not quite mature and plans to allow for two years more years until he can capture her scent at its peak. Meanwhile he embarks on filling out the rest of the notes in his ultimate perfume. As it has been told that there are 12 notes, 4 chords, in a perfume and that the ancient Egyptians believed in a 13th divine note, which Grenouille believes he can harness using the matured scent of Laure. To capture the scents of 12 other post-pubescent virgins Grenouille realizes that the only viable method involves murder. And as he is generally unnoticed, when out of his "disguise", he begins a soulless career of serial murder of the 12 virgin, young women around Grasse with the most beautiful scents.
Eventually, after the 2 years of murders have passed, Laure's father pieces together the pattern of murders and realises that Laure, the most beautiful and beloved young woman in the city just passing puberty, is most likely to be the next victim. He flees with Laure to hide and protect her, but Grenouille pursues them and kills Laure, capturing her scent.
Grenouille is apprehended soon after completing his perfume and sentenced to death. On the day of his execution the intoxicating scent of Laure combined with the backdrop essences of the 12 virgins he murdered, overwhelms all present, and instead of an execution the whole town is overwhelmed by a mix of divine reverence and carnal passion, erupting into a massive orgy.
Grenouille is pardoned for his crimes, blessed and revered, and Laure's father even wants to adopt him. But the experience of the power, looking at the peoples' reaction, has dissatisfied Grenouille, because he is not loved for himself, but for the perfume which he created. He realises that he had always found gratification "in hatred, in hating and being hated", not love. As his existence has not been validated by his creation, but merely disguised once again. He decides to return to Paris upon finding that the satisfaction that he initially felt has transformed itself into hatred and disgust.
In Paris, Grenouille approaches a group of low-life people (thieves, murderers, whores, etc.), who do not notice him approaching. He deliberately douses himself with the rest of the vial of his divine perfume while standing among the group. Overcome with the carnal passion and divine reverence, even moreso than the people of Grasse, they literally tear him to pieces and devour the remains. After the passion wore off, the people look around and feel slightly disgusted having just eaten a human being, but they have an overwhelming internal sense of happiness. They are "uncommonly proud. For the first time they had done something out of Love."

terça-feira, 17 de maio de 2011

Não Se Esqueçam da Rosa - Giselda Laporta Nicolelis

This story revolves on a young girl called Hanako. Her father, Aiko was a young survivor of the Hiroshima Bomb who came to Brazil still in his childhood. Because of his exposure to radioactivity during the war his reproductive cells are affected and his genes are transfered to his  firstborn, Hanako. 
The author writes with a clear  and childlike manner but the message and simplicity of the story is what keeps you reading until you find yourself incapable of being able to stop.
A few things which touched me in this book:
 - Hanako's constant joy and desire to live despite her sickness. How she doesn't rebel against what has happened with her but tries to make the very best out of it.
 - A bit of the beauty of the Japanese culture.
 - Wars, bombs, killing and manslaughter lead to nowhere. It's a dead end street.
 - We all pay for our actions - we might have to pay the consequences for an action that has happened even  many, many years ago. What comes around goes around.
 - Humanity shows its true face during the greatest catastrophes.


Here is a beautiful poem that is in the end of the book which I will include here (sorry, it's in Portuguese):

A Rosa de Hiroshima

Pensem nas crianças
Mudas telepáticas
Pensem nas meninas
Cegas inexatas
Pensem nas mulheres
Rotas alteradas
Pensem nas feridas
Como rosas cálidas
Mas oh não se esqueçam
Da rosa da rosa
Da rosa de Hiroshima
A rosa hereditária
A rosa radioativa
Estúpida e inválida
A rosa com cirrose
A anti-rosa atômica
Sem cor sem perfume
Sem rosa sem nada

domingo, 8 de maio de 2011

Memories of My Melancholy Whores


I really didn't get the main character of this book. I tried, I really did! But maybe the difference of our ages was what made my tentative a flop. He isn't either a horny old man nor is he a charitable one. The writer gives the impression that the old man finally "finds love" (which is in the form of a young, poor, scared 14 year old virgin) in his very old age. But I can't really agree with this improbable form of "love" because in my point of view I see it more like an old man that is finally feeling guilty for his past sexual experiences and wants some kind of consolation before his miserable life ends. Okay, I might be a bit too harsh on the old man but hey - talk about pedofile!!! 
But other than my sorid thoughts on the book I have to give credit to where credit is due: the writer is fantastic! He knows how to capture the reader's interest and have him engaged in some captive trance as he reads page after page nonstop (as such was my case!). His slyness and sarcasm are both cunny and witty. 
If nothing else García Márquez captures another side of love (or lust - or more likely, both!) and with that he completes quite some feat!

Book Review:
BECAUSE the great subject of the fiction of Gabriel García Márquez is time, no reader of his luminous, strange new book should fail to be aware of exactly how much time its author has spent on earth: on the day of the publication in English of "Memories of My Melancholy Whores," García Márquez will have lived 78 years, 7 months, 3 weeks and 4 days, and he continues to write, as he so often has, about the people for whom time has seemed to stand still. He has always been most interested in the extremely old and the extremely young - for the reason, I think, that our first experiences of the world and our last are the ones that stop us in our tracks, and turn the long confusion of our days into something like stories.
The hero and heroine of "Memories of My Melancholy Whores" are a 90-year-old man and a 14-year-old girl, both nameless, who meet periodically in a room in Rosa Cabarcas's brothel - "the theater of our nights," the old man calls it - and, more constantly and more vividly, in his fevered imagination, where the curtain never comes down. The nonagenarian narrator is the latest in an illustrious line of cranky, obsessive García Márquez geezers, of which the most memorable, perhaps, is the romantic madman Florentino Ariza, whose determination to woo and win in his 70's the woman who spurned him in his 20's is the perpetual-motion machine that powers "Love in the Time of Cholera." But the writer was only in his late 50's, a mere pup, when he invented Florentino Ariza and granted that elderly fool for love the belated fulfillment of his desire. These days, García Márquez needs a dirtier, older dirty old man just to satisfy his insatiable taste for novelty, his lust for sudden and unforeseeable accesses of meaning, his itch to probe the mysteries of last things.
And the central codger of "Memories of My Melancholy Whores" seems, at least at the outset, a very dirty old man indeed. The story begins, with García Márquez's characteristic hit-the-ground-running conciseness, like this: "The year I turned 90, I wanted to give myself the gift of a night of wild love with an adolescent virgin." A superb opening - Edith Grossman's translation is, here and elsewhere, elegant and exact - but not, perhaps, the sort of statement that generates waves of good feeling toward the speaker. The peculiar charm of this narrator, though, is that he really doesn't give a damn what his audience thinks of him. "I'm ugly, shy and anachronistic," he writes, by way of introducing himself, and he's just warming up. "I am the end of a line, without merit or brilliance," he calmly informs us; and despite enjoying some local fame as a critic and newspaper columnist in his native La Paz, he admits to being "a mediocre journalist." His lechery is, in fact, among his more attractive qualities; it is, in any event, one of the few areas in which he has truly distinguished himself. "I have never gone to bed with a woman I didn't pay," he writes, and with sheepish pride reports that he was "twice crowned client of the year" in the city's red-light district.
That brief moment of boastfulness is a rarity in "Memories of My Melancholy Whores." Mostly, this old man is beyond pride, and beyond shame, too. Because García Márquez doesn't often tell his tall tales in the first person, and because the story inevitably evokes comparisons to "Lolita," readers might expect this little book to be more of a departure from its author's usual, unmistakable style - the lulling, deadpan bedtime-story tone that has always enabled him to get away with both murder and the more improbable kinds of love. Some might even manage to persuade themselves that this monologue is, like Humbert Humbert's, an ironic apologia, a literary game whose object is to catch the speaker out in his evasions and self-deceptions.
But that's not at all what García Márquez is up to here. The cunning of "Memories of My Melancholy Whores" lies in the utter - and utterly unexpected - reliability of its narrator. This daft coot is, in his way, as trustworthy as St. Augustine (whom he does not, I hasten to add, otherwise resemble) because his story is, like the saint's, a conversion narrative. His reason for writing, he says, is to record "the beginning of a new life at an age when most mortals have already died," which means, of course, that he has no motive to be anything but brutally honest about the now-despised former life, the 90 years, to the minute, he "wasted" (his word) before seeing the light.



quinta-feira, 5 de maio de 2011

Effective Learning - Alan Mumford

This is a short and handy little manual for those who want to grow and learn. 
Alan Mumford gives a general description of the four learning styles which was what I liked the most in the whole book.
The following are abbreviated versions of preferred ways of learning for each learning style:


Activists 
Get fully involved in new experiences 
Open minded and enthusiastic 
Will 'try anything once'
Revel in crisis management, 'fire fighting'
Get bored by detail 
Reflectors 
Prefer to stand back and observe 
Look at all angles and implications 
'Chew it over' before reaching conclusions 
Take a back seat in meetings and discussions 
Theorists 
Think problems through logically, step by step 
Assimilate disparate facts in coherent theories 
Rigorously question assumptions and conclusions 
Don't allow their feelings to influence decisions 
Uncomfortable with subjectivity, creative thinking
Pragmatists
Keen to try out new ideas to see if they work 
Like solving practical problems and making decisions 
Emphasise expediency - 'the end justifies the means' 
Impatient with long-winded or open-ending discussions 

Based on these preferences, different activities are likely to produce different responses in the learners. Selection of learning method should take your preferences into account but effective learning demands the achievement of a balance between the four styles. If you have a high activitist style you will learn best from activities where: - 
You can become involved with new experiences 
There is excitement and drama 
You can have high visibility, e.g. chairing a meeting, giving a presentation 
You are thrown in at the deep end 
You are involved with others 
You can ‘have a go’ 
You will enjoy business games, role-playing exercises and competitive 
teamwork tasks 
If you have a high reflector style you will learn best from activities where: 
You are allowed to watch and think 
You can stand back and observe others 
You can think before acting 
There is research involved 
You can review what has occurred 
You will enjoy assignments 
If you have a high theorist style you will learn best from activities where: 
There is an obvious system, concept or model you can follow through 
There is time to explore the relationship between ideas and events 
You can ask questions 
You are stretched intellectually 
There is a clear purpose and reason to the learning 
If you have a high pragmatist style you will learn best from activities where: 
There is an obvious link between what you are learning and the working environment 
You are shown practical techniques for solving problems 
You have a chance to practice techniques to check they work in practice 
You are provided with an immediate opportunity to put into effect what you have learnt.


After reading the whole and full description of each learning style I stopped a moment to figure which was my learning style (by the way, I am Pragmatic and Activist) and then went on to make a mental review of each one of my students placing them in one of the above definitions. This little mental exercise was mind opening for me because it made me notice how a certain student that seems like a lost case and just "never learns" could turn out into a top notch student if I only changed my approach, modified my teaching method and adapted myself to his learning needs - and all this just by identifying his particular style of learning. As you can guess, an Activist is less likely to learn if I use the same approach I would use for a student that is a Theorist.
I already started using the above information in regards to my teaching and am seeing remarkable results!!!
A few other pointers which Alan Mumford outlines are the following:
 - Each one of us has to find a learning method that works for us, build a learning plan and then use it to develop our abilities.
 - Learning is all about motivation, needs and  personal interests - those are the driving factors in each person's learning process.
 - We should always learn with difficulties, hardships and problems - but we shouldn't limit ourselves to only that - we should make it a point to learn with success and personal conquests as well!


And last, but not least, remember: LEARNING IS A DAILY, NEVER-ENDING PROCESS!!!



Description
Progressive training programmes not only equip managers with basic skills and competencies, but deploy innovative, wide-ranging learning strategies to ensure continuous development. Specifically designed as flexible support material, "Training Extras" provides a simple framework to structure learning. This comprehensive series covers all the crucial skill areas for the first-time manager or supervisor, providing: the key issues in an easy-to-read style; diagrams, models and charts for clarity and quick reference; helpful starting points to build confidence and encourage "hands-on" practice; practical advice and tips based on real-life management issues and examples.